Compositions

Here you find compositions, that users made out of soundscape recordings.

  • den haag here & there

    Sara Pinheiro

    Eine Komposition von:
    I am a sound-maker. I do sound for film and video art. On my own, I make acousmatic pieces, usually for multichannel performances, radio broadcasts or gallery-based installations. My research and practice are dedicated to incorporate the theory of soundscape and musique concrète in sound for film, namely foley art. To research a practice of foley art in the acousmatic world, and vice versa, I have been working on a concept of "acousmatic foley". Since 2012, I am a guest lecturer at The Institute of Sonology, in The Hague. Currently, I am also collaborating with the Center of Audiovisual Studies in Famu, Prague. From September 2014, I will be fully dedicated to my project "Acousmatic Foley Performances", a live set that results from my research in "acousmatic foley", with the kind support of Calouste Gulbenkian Foundation.
    den haag here & there is the product of the first living experiences i went through in this city, the sounds that composed my daily-life. a collection of sounds, somewhere between unplanned and detailed choices, which result in the idea that sound has no borders or physical limitations (...).
    Read more about: Sara Pinheiro

    Eine Komposition von:
    I am a sound-maker. I do sound for film and video art. On my own, I make acousmatic pieces, usually for multichannel performances, radio broadcasts or gallery-based installations. My research and practice are dedicated to incorporate the theory of soundscape and musique concrète in sound for film, namely foley art. To research a practice of foley art in the acousmatic world, and vice versa, I have been working on a concept of "acousmatic foley". Since 2012, I am a guest lecturer at The Institute of Sonology, in The Hague. Currently, I am also collaborating with the Center of Audiovisual Studies in Famu, Prague. From September 2014, I will be fully dedicated to my project "Acousmatic Foley Performances", a live set that results from my research in "acousmatic foley", with the kind support of Calouste Gulbenkian Foundation.
    Uploaded: 19.07.2014
  • den haag here & there

    Sara Pinheiro

    Eine Komposition von:
    I am a sound-maker. I do sound for film and video art. On my own, I make acousmatic pieces, usually for multichannel performances, radio broadcasts or gallery-based installations. My research and practice are dedicated to incorporate the theory of soundscape and musique concrète in sound for film, namely foley art. To research a practice of foley art in the acousmatic world, and vice versa, I have been working on a concept of "acousmatic foley". Since 2012, I am a guest lecturer at The Institute of Sonology, in The Hague. Currently, I am also collaborating with the Center of Audiovisual Studies in Famu, Prague. From September 2014, I will be fully dedicated to my project "Acousmatic Foley Performances", a live set that results from my research in "acousmatic foley", with the kind support of Calouste Gulbenkian Foundation.
    den haag here & there is the product of the first living experiences i went through in the hague, the sounds that composed my day-life. a collection of sounds, somewhere between unplanned and detailed choices, which result in the idea that sound has no borders or physical limitations (...).
    Read more about: Sara Pinheiro

    Eine Komposition von:
    I am a sound-maker. I do sound for film and video art. On my own, I make acousmatic pieces, usually for multichannel performances, radio broadcasts or gallery-based installations. My research and practice are dedicated to incorporate the theory of soundscape and musique concrète in sound for film, namely foley art. To research a practice of foley art in the acousmatic world, and vice versa, I have been working on a concept of "acousmatic foley". Since 2012, I am a guest lecturer at The Institute of Sonology, in The Hague. Currently, I am also collaborating with the Center of Audiovisual Studies in Famu, Prague. From September 2014, I will be fully dedicated to my project "Acousmatic Foley Performances", a live set that results from my research in "acousmatic foley", with the kind support of Calouste Gulbenkian Foundation.
    Uploaded: 19.07.2014
  • Nahen - Weiten | Exzerpt 02

    Volkmar Klien

    Eine Komposition von:
    Volkmar Klien
    Komposition für Klavier & Aufnahme einer Gas-Konvertorheizung. Klavier: Weiping Lin (www.weipinglin.com)
    Read more about: Volkmar Klien

    Eine Komposition von:
    Volkmar Klien
    Uploaded: 03.10.2013
  • Nahen - Weiten | Exzerpt 01

    Volkmar Klien

    Eine Komposition von:
    Volkmar Klien
    Nahen - Weiten
    Read more about: Volkmar Klien

    Eine Komposition von:
    Volkmar Klien
    Uploaded: 03.10.2013
  • Laut Fahrplan

    Volkmar Klien

    Eine Komposition von:
    Volkmar Klien (Komposition) , in Zusammenarbeit mit Thomas Grill (Elektronik)
    laut fahrplan wider die normative kraft des faktischen eine wirklichkeitsüberarbeitung in echtzeit ein projekt von volkmar klien und thomas grill stört das radio, dreht man es ab. wenn es das radio des nachbarn ist, kann das schwierig werden. ist der nachbar nicht bloß ein älterer herr ohne hörgerät, sondern eine staatliche eisenbahngesellschaft mit ihren fernzügen, wird alles noch viel, viel komplizierter. hat man schon kaum macht über den klang seiner umgebung (das ist es nämlich, wovon die grille im baum eigentlich singt), so soll man zumindest nicht passiv hinnehmen, was aktiv umgedeutet werden kann. denn selektive wahrnehmung ist eine herrschaftsform. es findet also ein konzert an der bahn, eine re-kontextualisierung laut fahrplan, statt. jedem zug widmet sich ein musiker und baut um, aus und mit dessen klängen sein ding. ein triebwagen kommt, verwandelt sich in einen wunderschönen, glitzernden schmetterling und flattert davon. hören ist immer auch ein konstruktiver, kreativer akt. 'laut fahrplan' zieht in normale wahrnehmungsstrukturen zusätzliche ebenen ein, überarbeitet die wirklichkeit in echtzeit und befreit so den menschen aus dem würgegriff der macht des faktischen. ua, bzw. erste intervention: 20.9.2008 an der westbahn im vkk eichgraben
    Read more about: Volkmar Klien

    Eine Komposition von:
    Volkmar Klien (Komposition) , in Zusammenarbeit mit Thomas Grill (Elektronik)
    Uploaded: 03.10.2013
  • Coincidence of Reducational Ghettofication

    Pei

    Eine Komposition von:
    Pei has dabbled in a variety of digital domains, but has concentrated on sound art, acoustmatic, and streaming video art since 1999. As a sound artist, Pei has been recording those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly she built a personal archive of sonic observations; with intensions or without. Pei often performs improvisationally using field recording as seeds for acousmatic composition, and realising sound installation as experiments to materialise the immateriality. | www.little-object.com
    From this improvisational soundscape composition, I created the installation "Inevitably, Here" which is exhibited at "I Share, therefore I am" - 21. Sep to 21 Dec 2013, curated by Reni Hofmüller, as part of musikprotokoll & steirisherherbst at ESC Medien Kunst Labor], Graz, AT. Various recording seed used as following : waves within the boat house on Rhein, open sky – Berlin, Yogyakarta, Alpujarras, Taipei, Basel, Himmeliriech near Jura Region , duck call by Zürich Lake, Swiss rail/tram, Loom & soundscape workshop, Perla-Mode, Zürich, open city, Basel, Jarkata Airport, reflections at Verzasca Vellay, Himmelriech near Jura region, Taipei Yang-Ming Shan, Cattle rance at Sierra Nevada Andalucia, Lugano Italian restaurant, Yogyakarta gamelan on street,
    Read more about: Pei

    Eine Komposition von:
    Pei has dabbled in a variety of digital domains, but has concentrated on sound art, acoustmatic, and streaming video art since 1999. As a sound artist, Pei has been recording those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly she built a personal archive of sonic observations; with intensions or without. Pei often performs improvisationally using field recording as seeds for acousmatic composition, and realising sound installation as experiments to materialise the immateriality. | www.little-object.com
    Uploaded: 02.10.2013

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